The figure is black, and is one of the earliest.

Its movement is a narrative technique, and itsīeen portrayed in a grand style which is one main.

Usage of having the head upwards and arms also isĪ movement of the followers to show their loss of

You can also tell theyre followers of Dionysusĭue to how theyve positioned their heads andĪrms upwards as if in a celebratory dance.

Their feet are arched and positioned all in the

You can tell that theyre followers due to how.

The procession is led by a satyr playing theĭouble pipes (aulus) and hes followed by scenes.

Is the drunken behaviour of the satyrs and the

Obvious that the focus of the artists decoration Stand aloof from the festivities and it is Stands serenely clasping a vine, a piece of ivyĪnd a wine horn- his godly attributes. Mule and carrying a wine flask, while Dionysus Hephaistos as the lame good is depicted riding a.Hephaistos were placed on opposite sides of theĬrater where they appear to have been separated Return of Hephaistos to Olympus accompanied byĭionysus, Satyrs and Maenads.Greek S?t?, Satyroi) are a troop of maleĬompanion Dionysus In mythology they are oftenĪssociated with sex drive and vase-painters often Satyrs- In Greek mythology, satyrs (Ancient.Shouting excitedly, engage in uncontrolled sexualīehavior, and ritualistically hunt down and tearĪnimals (and sometimes men and children) to

State, they would lose all self-control, begin State of ecstatic frenzy, through a combination

Maenads were portrayed as inspired by him into a Maenads- In Greek mythology, maenads were the.Gods, and he was worshipped in the manufacturingĪnd industrial centers of Greece, particularly in Technology, blacksmiths, craftsmen, artisans, Hephaestus(?fa?st?)- He was the god of.Well as the inspirer of ritual madness and Dionysus(?s?) god of theatre and wine as.The name of the shape is Column Krater.It was used for mixing wine and water, but not.It is 56.5cm tall.The potter is unknown.The painter was Lydos and it was created in 550BC.

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